[L] Erdem Taşdelen. The Rumour-Monger (from The Characters), 2019/2025. Courtesy of the artist. [R] Richard Ibghy & Marilou Lemmens. Ventilation Requirements for Solitary Workers Given the Available Volume of Room Air, 2018.
Exhibition Opening
Erdem Taşdelen + Richard Ibghy & Marilou Lemmens
March 26
6-9 PM
Please join Contemporary Calgary on Thursday, March 26, from 6-9 PM, for the opening of two solo exhibitions, Richard Ibghy & Marilou Lemmens: Stacking Crates to Reach a Banana and Erdem Taşdelen: Wounded in Three Acts.
Richard Ibghy & Marilou Lemmens draw on the visual language of modern science to trace the ethical stakes of systems that quantify lived experience into units of labour. Their work reveals the limits of these regimes of control, while opening a space to consider bodies as irreducible to the metrics used to measure and manage them.
Erdem Taşdelen engages with theatrical and filmic storytelling to explore what it means to be human and examine the complexities of our imperfect nature. Seamlessly shifting between audio installation, film, graphic prints, and live performance, he creates captivating fictions that feel strikingly close to reality, drawing attention to the political and social forces shaping our lives today.
Together, these works interrogate the culturally learned behaviours and systemic patterns that influence our actions, shifting the focus toward our own agency and collective presence.
Doors
6:00 PMRemarks
6:30 PM | AtriumPerformance premiere of Erdem Taşdelen and Cindy Ansah’s A Long Dramatic Pause
7 PM | GrottoGalleries Close
9:00 PM
All artists will be in attendance.
FREE to the public. No registration is required.
Capacity for the performance premiere of A Long Dramatic Pause is limited and seating is first-come, first-served. Additional performances are scheduled during the run of the exhibition.
A Long Dramatic Pause
March 26 | 7 PM
Grotto
Please join us for the Canadian premiere of A Long Dramatic Pause, a live performance that explores strategies of resistance against ultranationalism and far-right politics through the languages of photography and theatre. Performed by Cindy Ansah and co-developed with artist Erdem Taşdelen, the narrative comprises twelve theatrical scenes that describe a photographic image, never showing it directly but rather bringing it to life through re-enactment and visual analysis.
At the heart of the photograph being described is a young woman, a figure of solidarity and defiance with whom the audience can identify. As the performer moves between observing and embodying this antifascist figure, the narrative gradually implicates the audience as if they had been unknowing protagonists in the image all along, shifting their focus towards their own agency and collective presence.
A Long Dramatic Pause is a process-based project developed anew with each staging. Every version emerges from a collaboration between the artist and a new performer, guided by a set of graphic scores created specifically for the work.
The first staging of A Long Dramatic Pause took place in London (UK) in September 2025. This second staging at Contemporary Calgary marks the performance’s Canadian premiere.
FREE to the public. No registration is required.
Capacity for the performance premiere of A Long Dramatic Pause is limited and seating is first-come, first-served. Additional performances are scheduled during the run of the exhibition.
About the Artists
Photo by: Jean-Sébastien Veilleux
Richard Ibghy & Marilou Lemmens
The Canadian artist duo, Richard Ibghy and Marilou Lemmens, have been working together for over fifteen years. Their practice combines rigorous research with project-specific material exploration to examine issues at the intersection of ecology, economics, epistemology, and history. Their works take various forms, including installations, sculptures, videos, actions, artist's books, and public artworks.
They use documentary research, archives, and the act of going to see for themselves what is happening to create works that present themselves as historically and culturally situated studies of vocabularies, practices, and forms of thought. Their work then proceeds to conceptual shifts, inventing formal and performative devices that bring these abstract systems to concretion by confronting them with materials and the body.
Exploring epistemological questions related to quantification, classification, and representation procedures has led them to pay particular attention to the history and power of science and knowledge, including the language of economics, the aesthetics of data visualization, and the design of laboratory experiments. Their recent projects question the relationships humans have with nature and expand the concepts of hospitality, care, and communication between species.
Their work has been featured in solo exhibitions, group exhibitions, and international events, including at Movíl (Argentina); Jane Lombard Gallery (USA); the Ludwig Museum (Hungary); Fiskars Biennale (Finland); OFF-Biennale Budapest (Hungary); Columbus Museum of Art (USA); Musée d’art contemporain de Montréal (Canada); Visningsrommet (Norway); Bienal de Cuenca (Ecuador); Istanbul Biennial (Turkey); Morris and Helen Belkin Art Gallery (Canada); La Biennale de Montréal (Canada); Kunsthalle Mulhouse (France); Henie Onstad Kunstsenter (Norway), and Sharjah Biennial (United Arab Emirates).
They live in Durham-Sud (QC, Canada).
Photo by: Sarah Bodri
Erdem Taşdelen
Erdem Taşdelen (he/him) is an artist based in Tkaronto/Toronto, Canada. Through the use of diverse materials and media, he constructs semi-fictional narratives that incorporate unique historical figures, events and texts to implicate contemporary sociopolitical realities. His projects over the past 15 years have explored themes such as life under authoritarian rule; the theatricality and public spectacles of political discourse; migration, displacement and the haunting presence of the past in contemporary contexts; and the possibilities for self-expression and the limits of authorship within culturally learned forms. Taşdelen has exhibited at venues including The Power Plant, Aga Khan Museum and Mercer Union in Toronto; Contemporary Art Gallery, Vancouver; VOX Centre de l'image contemporaine, Montréal; Framer Framed, Amsterdam; Museum für Neue Kunst, Freiburg; and Pera Museum, Istanbul. He has been an artist-in-residence at the Delfina Foundation and Studio Voltaire, London; Hangar, Lisbon; Rupert, Vilnius; and KulturKontakt, Vienna. He was awarded the Joseph S. Stauffer Prize in Visual Arts by the Canada Council in 2016, the Charles Pachter Prize by Hnatyshyn Foundation in 2014, long-listed for the Sobey Art Award in 2019, and selected as a finalist for the Taoyuan International Art Award in 2025.
Photo by: Francis A. Willey
Cindy Ansah
Cindy Ansah (she/her) is a storyteller, a vibrant embodiment of culture. A multidimensional creative, she embodies multiplicity as a dance artist, actress, filmmaker, writer, fashion visionary, and muse, dialoguing in Mohkínstsis (Calgary) and across Turtle Island. Since 2020, Cindy has been devoted to her role as Artistic Director of Not Another Political Playground Y’all (N.A.P.P.Y.), which has produced two acclaimed seasons. She co-founded the all-Black contemporary arts collective with collaborator Tiara Matusin, with the shared aspiration to champion Black artistry and collectivity in all its breadth, depth, and nuance.
